Monthly Archives: March 2016

French Film Screenings…

It has been a busy end to the term! Once Easter is over, we’ll be straight into our examining and strategic planning phase. The post-Easter meetings are already stacking up, as are the research deadlines… but before then, there’s time to reflect on last week’s AHRC-supported free film screenings which took place as part of the University of Birmingham Arts and Science Festival.

These events were free and arose from partnerships between the Modern Languages Department at the University of Birmingham and local arts and cultural organisations.

The events are led by my colleague Dr Claire Peters, a Teaching Fellow in French and Francophone Studies, who was awarded funding from the AHRC Cultural Engagement fund to carry them out. Claire recently completed an AHRC thesis on Francophone Postcolonial culture.

I’m her mentor, which is a very worthwhile experience for me and allows me to share lessons learned from my own public engagement events in the UK, metropolitan France and Martinique.

My AHRC Midlands3Cities PhD student Antonia Wimbush is also part of the team as an assistant at the events, as part of her own training in public engagement.

The screening of Sugar Cane Alley / Rue Cases-Nègres [dir. Euzhan Palcy, 1983] took place on Wednesday 16th March 2016 at 4-6.30pm MAC Birmingham. We knew that the afternoon timeslot might be tough, but as this event is part of a wider University of Birmingham Arts and Science Festival, we had limited choice over the timing. That said, being part of the Festival was a wonderful opportunity, and ensured that the event was widely publicised.

01 Antonia intro Sugar Cane Alley

Antonia did a great job of introducing the film (see photo above!), and afterwards Claire hosted a Q&A session with me on my own research into Zobel. I was delighted to have so many brilliant questions from the public, which included questions on adapting the novel into a film, Palcy’s career, Zobel’s wider works (and whether there were other film adaptations… not yet…!), the influence of Fanon and wider influences such as Negritude and the Harlem Renaissance. Our colleagues at the MAC had to politely but firmly eject us from the room at the end, as the next screening was due to begin!

The following night, Thursday 17th March 2016 from 7pm-9.30pm,  Claire gave a fantastic introduction to the film Black Skin, White Mask [dir. Isaac Julien, 1996] at The Drum. The film was followed by a lively comments session with the public audience, which gave rise to some excellent reflections on issues such as race, gender, identity, intersectionality and Negritude.03 drum audience

 

The overall feedback tells us that for many people in Birmingham, this was their first encounter with the French Caribbean, and that there is a real appetite for more Francophone events like this… so (shameless plug!) watch this space for the third screening in the series, which will take place in the cinema at The Mockingbird Theatre and Bar… more details to follow after Easter!

Free Francophone film screenings in Bham

This is a guest post by Dr Claire Peters, one of my colleagues at the University of Birmingham
Two FREE AHRC Francophone film events in Birmingham next week!

I would like to draw your attention to two forthcoming AHRC-supported film screenings which directly relate to French and Francophone Studies, and which will take place as part of the University of Birmingham Arts and Science Festival.

These events are free and arise from partnerships between the Modern Languages Department at the University of Birmingham and local arts and cultural organisations.

Wednesday 16th March 2016 4.30pm-6.30pm, MAC Birmingham: screening of Sugar Cane Alley / Rue Cases-Nègres [dir. Euzhan Palcy, 1983].

This screening will be introduced by PhD student Antonia Wimbush and followed by a Q&A session with Dr Louise Hardwick about her AHRC Fellowship work on Joseph Zobel. For more details and for booking: https://macbirmingham.co.uk/event/sugar-cane-alley-q-a/

 

Thursday 17th March 2016 7pm-9.30pm, The Drum, in partnership the University of Birmingham and the NCCCS, will host a screening of Black Skin, White Mask [dir. Isaac Julien, 1996]. For more details and booking information: http://www.birmingham.ac.uk/events/arts-and-science/arts-and-science-2016/Screenings/frantz-fanon.aspx

All are welcome! These two events have been organised by Dr Claire Peters as part of the AHRC Cultural Engagement Fund. 

Dr Claire Peters, Teaching Fellow and AHRC Cultural Engagement Fund Awardee,

Department of Modern Languages,

University of Birmingham.

Transnationalizing Modern Languages

Last week, I attended an event held at the British Academy in London which addressed many of the challenges facing Modern Languages as a discipline, and which proposed innovative responses to these challenges.

The event was structured around the following questions:

  • How do Modern Languages promote cultural as well as linguistic competences that are vital in an increasingly globalized world?
  • How do University curricula articulate with the range of subjects that students study in schools?
  • How do they encourage a nuanced and inclusive understanding of notions of translation within multicultural spaces and societies?
  • How do they enable students to compete and meet the demands of a changing workplace?

Put simply, to quote Prof. Charles Burdett (Bristol), how do Modern Linguists – researchers and students – articulate what Modern Languages study is?

This blog is one small part of responding to that challenge, as it aims to present the various strands that go into ML research activities – from queuing for hours to get into a Parisian library with a one-in, one-out policy (see Jan 2015 posts) to being interviewed on the Martinican evening news (see this post).

006 me on atv

The large project, ‘Transnationalizing Modern Languages’ (TML), on which Prof. Burdett is a PI, is part of the AHRC’s ‘Translating Cultures’ initiative, and aims “to provide a model that allows Modern Languages to be construed and practised not as the inquiry into separate national traditions, but as the study of cultures and their interactions.”

This prompted me to reflect on my own research practice, and how it has evolved during my current AHRC Fellowship to integrate processes of consultation and the co-production of knowledge with wider communities in Martinique, Paris and the UK… As I’ve said before on this blog, no researcher is an island, and the photo memories below certainly reflect this!